the consistently on-point fullbarr imprint returns with another outstanding release this september in the form of machines by hans berg, swedish born, berlin-based hans berg, delivers classy techno that fits perfectly amongst the back-catalogue. berg has been developing his sharp and distinctive works for over a decade also backed with remixes from ed davenport and immer.

eddie flashin fowlkes has always fancied himself as the forgotten producer of the detroit militia, a point which he explicitly points to on the title of this new release for the detroit wax imprint. >unsung hero< is, interestingly enough, quite noticeably un-detroit sounding, rolling on a killer funky 2-step groove and breezy keys which would slot in nicely against the mellower end of uk garage. on the flip >we need more< takes a stripped approach to house with some strange and submerged vocals from don q and restrained organ stabs, leaving it to the steadfast, bongo-laden groove to do most of the work. unsung hero indeed!

to do things, that are not quite usual, free from standards and away from drawer think is here the topic of the next sono vivo catalog number. there are every time again different >things<, that influence the emotions and the life of one person. and that is exactly what wigbert wants to express with his new single >things<. the focus of things is the acid similar moogbassline surrounded by percussive and drum-like elements, which produce a special groove. slowly and full of energy one increase after the other devolopes during the track, until it reaches its peak after the break. souvenir and freebase records artist chris wood took the original track and created a nice tech house remix quite to his style. with a mixture of techno and tech house, old school and new school the topic >things< is brought expertly to the point and you can find it to the peaktime on the dancefloor for sure!

obscure japanese house release from 2010 that was pressed in a small batch and sold out soon on the japanese market. the funk drenched, jazz injected tracks slowly went from mouth to mouth over the last 2 years creating demand for a proper release that reaches more corners of the world! excellent release produced by this japanese producer from tokyo, manufactured in detroit (archer)

argumento #6 comes courtesy of vidinovski, backed up with a remix by anton zap. pure bliss.

ununhexium (r-n 116) is the sixth release of raster-noton unun series. emptyset is a bristol based project formed in 2005 by james ginzburg, di- rector of the multiverse studios and the curator and electronic artist paul pur- gas. the project explores the legacy of analogue media, integrating aspects of rhythm, signal processing and spatial recording within the framework of mini- malist composition. their work interrogates the perceptual boundaries between noise and music and the potential for both technology and architecture to em- bed and codify themselves within sound. collapsed is emptysets first release on raster-noton and investigates the threshold where sonic structure is destabilized to the point where a chaotic order emerges out of a resistance to fragmentation and likewise explores the potential contained within this liminal space of transition. across the four tracks of the release a structural grammar is defined and then pushed to excess to the point where it reforms from repetitive and stable frameworks into non-grid based forms and ultimately chaotic rule sets.

chicagos steven tang (emphasis) with four brand new tracks, with tangs unique trademark blend of raw jacking chicago beats and detroit-inspired atmospheres. one of the few contemporary techno artists that truly delivers music for both body and soul. hot release!

the story begins somewhere far away from awareness and rational thought. our main characters plays the roles of lost but not aimless arrows of pictures. pictures made out of sub atomic movements, amplified through breathable air and finally fragmenting its energy into space. we see the the sun go down in the ocean, the purple and red colors and finally the majestic sight of whales plowing the water in the horizon. it has been many years, in fact, so many years that we are now back again to the same point time. it is like an infinite loop, never loosing pace and determination.

rares deutsches disco-funk album von 1975, produziert und arrangiert von klaus r. nagel (of joy unlimited fame) und fritz münzer. zwölf tanzbare instrumental-titel im sound of philadelphia, eingespielt mit unterschiedlichen musikern und nahezu ausschließlich für die promotion bei tv- und radiosendern bestimmt. eine der wenigen anspruchsvollen und druckvollen lp-adaptionen aus der anfangszeit des deutschen disco booms, mit eigenen kompositionen, der streichergruppe des süddeutschen rundfunks (sdr) und ohrwurmartigen solo-linien von saxophon, trompete, flöte oder analogen synthesizern. erste remasterte wiederveröffentlichung des gesuchten intercord-albums mit original cover design und neuen liner notes.

reflecting real tones penchant for picking up on new talent, our latest release comes courtesy of canadian producer paolo rocco. having grown up in a cosmopolitan neighbourhood, paolos influences come from a diverse melting pot of sonic soundscapes and muscial genres. the raw beats of hip-hop one of his primary sources of inspiration. the highly-anticipated comeback of the legend point g (dj gregory) makes this ep even more special. famous in the nineties for his raw house spirit and coveted works such as underwater, chicken coma, sous pression,hands, point g is back and in full effect, remixing paolos title track in his own inimitable fashion

over the past few years, the big bad and heavy series has become synonymous with the biggest dancefloor tracks around. after big bad and heavy part 3 packed together a quality laden mix of aggressive to soulful tracks from some of the scenes brightest talents, chronic now brings big bad and heavy part 3 xtra.

still in its infancy, swiss dj and producer rippertons personal imprint tamed musiq returns with its fourth offering in the form of, lets hope. maintaining the tradition of the labels previous releases, ripperton once again takes us on a journey of epic length, one that masterfully builds, swells and diminishes, as we make our way through a flurry of playful piano hooks, subtle synths and deep bass drops.the flipside comes courtesy of the hottest property in house right now, bicep, who continue turn on the charm with another deep and seductive, on-point dance floor bomb.

zur veröffentlichung ihres mit spannung erwarteten neuen albums >shields< im september 2012 veröffentlicht warp die ersten beiden grizzly bear-alben auf dem label in limitierten re-release-ausgaben auf 180g vinyl mit download-code: yellow house (2006, inkl. knife), veckatimest (2009, inkl. two weeks & while you wait for the others). zwei klassiker des indie/alternative-rock!

square room heroes are back on claap with their debut ep. after releasing now is the time, back in september the heroes, george and george, have been busy working on new material.the two tracks featured on this ep comprise mainly of works from thessalonikis native george boronas.crashed detail with its enchanting string arrangement captivated label head gummihz who immediately rushed to provide a powerful and dramatic interpretation of the original.we are also very excited to have a remix from one of the grooviest house heads around, none other than ekkohaus. with a string of releases on labels like moon harbour, liebe detail, morris audio to name only a few, kostas tassopoulos has established a signature sound full of swing and shake!and his remix on crashed detail does exactly that. ekkohaus takes the stabs and chord arrangements to another level over his characteristic swinging beats. on the flip side pitch the feelings is rough n tough funk reminiscent of early 90s beefy sampling. srhs george boronas has chopped a funk groove up to the point of delirium in an effort to pay his dues to influences such as dj sneak and carl craig!

bristol born hench newcomer tim roberts aka temo is a rising star in the dubstep scene. his relentless determination to spend every waking hour in the studio is paying dividends. temo is already gaining support from radio 1 and 1 extra along with club support from the scenes leading djs. these tracks have been smashing hench sets everywhere, expect to hear more from this rising star very soon. set them alight ft. buggsy: set them alight finds a perfect balance between killer vocals and big drops. temo has a long standing relationship with dubstep pioneer joker who introduced him to the insanely talented buggsy, which lead to the recording of set them alight. the marriage between buggsys infectious vocals and temos searing bass lines works perfectly, making set them alight a must have for dubstep fans across the globe. tracks ft koast: tracks is a no messing straight to the point club banger. koast from central spillz & hench resident steps up to deliver a slick 8 bar hook to prepare you for this high impact bass line driven monster.

limited warehouse found nice price action !!! excellent 12 selected tracks from electro - techno - acid ....selected by luke slater

inspired by the teachings of the earons (thats .22, .18, .33, .69 and .28 to the uninitiated, see www.earons.net for more background), a splinter group was formed earlier this year, with the express mission to bring back the message and connect it to a whole new audience. >land of hunger< is given a 2012 reconstruction from the cosmologist, a sturdy rework performed by the mysteriously concealed outfit, who identify themselves only as .40, and .44. whilst they are heavily influenced by earons beliefs on positive energy, which they seek to share, .40 + .44 are quick to point out they have no links with the earlier incarnation from 28 years ago, but felt a compelling force to unearth it once more. the universe knows when the time is right, and frankly the original broadcast was just too good to not want to fashion a 2012 edit, so a new chapter begins ...

maeve is the new label from man of the moment mano le tough & his friend since the schoolyard the drifter. in an age of endless releases and labels maeve aims to release beautiful, special records that will last in the hearts of the public. maeve 01 comes from the enigmatic baikal. a berlin-based friend of both mano and the drifter, his unreleased material inspired the pair to launch the label. following huge responses worldwide in manos dj sets over the past few months, the duo are very proud to be releasing these tracks on their new imprint. the drifter provides guest vocals on >just you and me<, which is a tripped out banger in the best possible meaning of the word. the other side of the record might actually prove to be the hit, >why dont ya?< is a deep psychedelic masterpiece. the breakdown reaches a point that is both transcendent and captivating. there is clearly the work of a master.

great album featuring some hot electronix! hailing from spain this is the first release on this d.i.y. label! intense uncompromising tracks of which the a side is rooted in classic detroit techno and electro. the b-side takes the listeners into orbit with some amazing spaced outed tracks. a pleasure to welcome this new label that delivers a first run of only 200 numbered copies on heavyweight vinyl! lets hope they will manage to do a repress at some point because this is too goo do share with only 200 people!

now, a year after he celebrated the success of his lp good morning midnight, niko schwind ups the heat on stil vor talent with the versatile we are the future ep that showcases a specatacular sonic progression while remaining true to what niko does best: melodic house music. on all i want, niko lures you into a deep abyss aided by a straight groove and rapid vocal stutters until a swampy bassline, subtle piano melodies and a promiscuous female voice swallow you to the point of no return. beautifully melancholic, yet floorfriendly, this a1 is bound to leave its mark on international dance floors!

when it comes to and strikes you, it works. this is the only thing that rules only300 familys sound, an edm label born in milan in the end of 2011. tech house with no strings attached is the reference point to start from and experiment with, together with the diverse influences of a genre in progress. our musical research - coming from only300 (milan) staff vision - goes beyond ideological bounds between means of production: no matter if its digital or analogue, the point is the emotion behind the sound, even if it comes to your legs, heart or brain. o300f sees flying high records - not just dance floor/club/listening oriented - and it thinks that labels are just gilded cages.

big with m.a.n.d.y.,tiefschwarz , pan-pot, butch,rodriguez jr, sasse, kiki, deepchild, marco resmann, catz n dogz, coyu, martin eyerer, chloe , cormac & benoit c.. kai & holger return from their stateside adventures with matthew pervert on get physical. ‘matthew pervert’ is a slow buidling groove attack. saucy percussion sets the mood for a deep pumping bass under chords. a sassy vocal adds to the analogue ambience, worked in a coat of reverb and doused with delay. a sexy sound for steamy nights on the neverending dancefloor sessions smash tv are known for. the second track, ‘please’, starts immediately with a deep horn falling under kicks. a touch of techno emerges from the darkness and drives us insane. followed by deep vocal lines and foggy chords to melt us at the core. this is your evening high, the point when you float away and the music takes you to a place beyond the dancefloor. looking forward to hearing this in the next set from the boys.

as the visionquest imprint reaches release no.15, its still tough to pin point the labels signature sound. a melting pot of imagination and tastes for four of the globes most dynamic djs, visionquest brings together three fresh voices in music for the teen collection hot jam 96 – a sampler with an eclectic take on summer grooves.

inspired by the wise words: the moment you start seeing life as non-serious, a playfulness, all the burden on your heart disappears. - osho nansen: the point of departure chapter 8.
playfulness, sees the talented german duo in fine form, turning in a slice of skipping house that welds organic percussion to a heavily electronic groove that slowly unfurls into a warm, synth-led number that owes as much to chicago as it does to european micro-house. combining fat melodic sub bass grooves, alongside intelligent layers and synch patterns, creating the perfect dance floor journey for the music purist.

at this point you should know that am/tm is anthony mansfield and tal m. klein. this is their eighth record together. you should probably also know that anthony mansfield has another side project with nick chacona called ncam. in other words, anthony is a collaboratively promiscuous producer who likes to make music with his friends. back to acid is am/tm?s attempt to get the world from uptight and twitching to firmly crooked and messy. coveting a return to the halcyon days of tripped out people melting on the dancefloor and raves in the woods, comes this hard hitting trip with vocals by navid izadi. add sweeping 303s and crunchy 808s.. and well, what more could you ask for in a track called back to acid? on the b-side is an extended ncam remix which ups the bpms and attitude. its a family affair.

on their fifth release, back to you goes digging around through analogue sounds and comes back with ample dirt beneath its fingers. this is dusty house that could have originated at any point along the us/european axis as it crosses the atlantic.

early support by adam x, kyle geiger, jonas kopp, and, arnaud le texier, freddy k. resiliens recordings is not only a simply independent record label but it presents itself as a project much more detailed and complex. it wants to be an idea, an impulse: the paradigm of artistic, visual and sound contemporaneity. the purpose of the group is to reinvent, assimilate and re rework the contemporaneity according to an independent and multifaceted artistic sensibility. according to its intrinsic meaning, resiliens was created with the intention of creating a new way of thinking and making art, able to react to external influences of modernity, transforming it without getting stunned. the genesis of a movement that embraces every artistic aspect, in a profound synergic interaction and collaboration between heterogeneous parts whose point of arrival is a complete artistic experience, in its deepest sense. the final goal of resiliens is therefore change the existing schemes, through clear and obvious messages around the entire artistic path: from production to exposure.

finally the first various artists release from 12 records, common point of this is house music.

origo means beginning in latin and marks the point where two coordinates meet. it is also the name of lisa & kroffes debut ep. the four tracks got created during improvisation sessions in the small stockholm apartment where the married couple lives. the music were originally composed for live purpose but during the recording sessions the tracks organically grew into something new and unexpected. the music spans between dark hypnotic drones and light airy melodies.

praterei might not be the most prolific of labels, but the quality is always way above the quantity. the fourth release on the viennese imprint comes from local boys done good the new tower generation, with a heady two track offering that fits right in with the labels ethos of focusing on the essence of house. the amusing titled >horny goat weed< is a perm twisting delight, with the grainy string sample remoulded to align with the loose jacking rhythms and rave indebted keys. >trembolon< finds the new tower generation in an altogether mellower mood, building with poise from its sonorous beginnings to a glorious mid point crescendo of rising synth lines.

the winter is cold but the sun warms the days. keymono-music has built a new release for the spring. with the start of the season felix bernhardt serves us a technoid temperatured cocktail against tiredness of spring. ice-cold and minimal is side a going on to the point. stylistically essentialised reduced, even with stomping and rolling bass, >the driving machine< and >ratter chatter< are shaking the last icicle out of us. because of the houseline rekardo rivalos remix on side b you can feel the change of the temperature and you can see eventually the rise of this years summer already on the horizon... supported and played by: richie hawtin, slam, claude vonstroke, paco osuna, rene bourgeois, kiko martinez, boenig & ochs and many more..

get ready for some excessive dance action with our 42nd release featuring intactos co-founder shinedoe with gregor treshers point of view on the flip

played and supported by chris liebing, speedy j, samuli kemppi, alan fitzpatrick, giorgio gigli, par grindvik, dvs1, jonas kopp, markus suckut, truncate, pfirter, lucy, developer and more. informa004 is by friends of the label ness (prologue, synewave) and rasmus hedlund (resopal schallware, mono records) who have collaborated to make two extraordinary tracks for us. punto kokous and verso pohjois which have a mixed italian and finnish translation of meeting point and direction north. both tracks are focused on deep atmospheric techno, with dark haunting atmospheres. everything informa records stands for. their concept for the release was simply to exchange sounds and influence with each other and in doing so they created something very special. also on the release we have a momentous remix from edit select (electric deluxe, stroboscopic artefacts) and a deep brooding remix by label boss deepbass.

hot on the heels of midlands placement ep, aus returns with a remix 12inch featuring lone & motor city drum ensemble. both producers deliver deep, melodic reinterpretations of the originals, with lone accentuating midlands signature sound (whilst flawlessly incorporating his own neon tinged atmospherics) and mcde dubbing out the original, pushing it into throbbing raw cuts territory. both producers are at the top of their game. lone is dominating 2012 with a residency at manchester hot-spot hoya:hoya, a full length dropping in may via r&s that will surely occupy the top of many year end lists, and remixes for radiohead, tensnake & underworld already under his belt. jazz enthusiast motor city drum ensembles sample-based raw cuts series made him a household name within the deep house scene and last years dj-kicks mix set him apart from the pack with its on point mixing and musical diversity. his notable november 2011 boiler room set is considered one of the finest, and is just another example of why mcde has been, and will remain to be, a musical force to be reckoned with. next up on aus will be an ep from bicep & friends with a remix from panoramabar resident steffi.

played and supported by lucy, tommy four seven, marcel dettmann, norman nodge, truncate, dadub, freddy k, inigo kennedy, dasha rush, electric indigo, max_m, alan fitzpatrick, shapednoise, ascion, xpansul and more.kript was born from a concept and a time of life where a precise path, and a moment of transition from one point to another, also known as evolution is shown as a concept in the creation of these label where a sound is evolving , at any moment in total freedom of expression. ken karter with this label is meant to represent the start of an expression which itself collects the sounds and the processing of electronic and experimental music with many influences of techno music. the tracks follow a numbering 01 / 02 / 03 / 04 numerically representing the steps related to a concept that will be detailed during the releases that comes from the study of issues and numerical programming and a passion for

ltd edition picture disc... 500 copies... the concept of climactic and chassis shaking is synonymous with rayko. and his vision does not disappoint. it draws you in and layer by layer, this structurally more simplified midnight burner slowly but surely intensifies - through its reliance on chunky bass, trademark mid-point vocal introduction and heavy use of synths. it is both playful and a little bit naughty. destination dance floor.

dancing time: the best of eastern nigerias afro rock exponents 1973 – 77 by the funkees mines the rich musical output of 60s and 70s nigeria. for the 5 year period this compilation spans the funkees output crackled with dance floor fire.
having featured on three of soundways most popular titles, across the definitive nigeria special compilation series, soundway felt the funkees output deserved closer inspection. presented here are 16 slices of funky afro-rock grooves hand picked by soundways miles cleret from a selection of the bands 45s and 2 long players.
pressing on heavyweight 180 gram vinyl in gatefold cover, including code for free mp3-download of the full album.

memory ist nicht unbedingt eine abkehr von lazer swords frühen stücken, aber diejenigen, die peitschende hip hop-beats und gecuttete vibes erwarten, werden überrascht sein: antaeus roy (aka lando kal, neuberliner) und bryant rutledge (aka low limit, san francisco) haben sich zurückgenommen, aber gleichzeitig ihre soundpalette erweitert. sie präsentieren eine schlankere, sexiere, cluborientiertere version von lazer sword, die auf 80er electro, detroit techno und verschiedene uk futurism-einflüsse zurückgreift. die palette reicht von klassischem techno, über einflüsse von juke und footwork, infiziös-mutiertem 80er freestyle bis zu gastproduzent jimmy edgar mit seinen berühmt-berüchtigten roboter-sex-vibes.

vessel returns to left_blank with 3 tracks of mind bending house & techno for the labels 5th release. after inaugurating the label almost a year ago with his critically acclaimed nylon sunset ep, vessel aka sebastian gainsborough went on to release a sold out split cassette with fellow left_blanker el kid, and a stunning digital only set for a future without. as a result of this the all conquering tri angle records snapped him up in early 2012 to release his debut album. this eps title track standard spans the length of the a-side: 5 minutes of low-slung, smacked out death disco, coming over like john carpenter meets newworldaquarium, pure valium vibes. merge on the b-side is positively sprightly in comparison, all rattling and metallic before a drop at the halfway point brings a welcome dose of detroit influenced machine funk. zero closes the ep in abstraction, whirring and stumbling along while showcasing sebs intricate sound design, a teasing glimpse at what is in store for his album later in the year.

all nite ep is the young mancunian waltons second set on hyperdub, after his very well received walton ep debut for the label in 2011. title cut >all nite< kicks it off with warm plucked strings, diva moans and lazer-like synths stretched to the point of anticipation over cracking grime handclaps and bass drums, until the track drops into a blocky bass line playing hide and seek with low arpeggios that spiral in and out of the mix, over a giant pounding metallic kick drum before layering on the warmth again. the whole track plays with a fine balance between warm, disco-like lushness and exuberant roughness. >mallet< is driving and darker, building detuned, bell-like tones over a 4/4 beat accented by breaks and fills and gaps, dropping into a big bass line and syncopations that disrupt the beat and bring the drama. >kush< is different again, taking the pace down with low end, synth hip hop with glassy chords, running over woozy pitch shifting rhodes chords fed through a layer of crackly gauze.

small world disco edits are back at it again, this time with a release from the head honcho himself, ltj! working under his ltj edit rework guise and on point as ever. three great edits, all testaments to the reason ltj is such a respected figure in the edit world.

here comes the new telonius single. deep, funky, straight to the point house music. perfect follower to the last singles >last night< and >now<.
the german fellow who since 3 years is regulary creating euphoria with his futurstic house tracks. check also the remixes by ramon tapia from great stuff and nico purman from argentinia. new shooting star on crosstown rebels along with maceo plex. the single comes along with a video made by mirko borsche.

christian comes back in perfect shape for our polegroup number 12, with his trademark techno sound, punchy and full of soul.this three tracker ep shows new progression on christians skills, improving his studio weapons on behalf of a redefined sound approach.planetary alignment opens the a side with dark reverberated beats, fixed sequences and fm bass. subtle spoken vocals appear in the middle of the arrangement till more synth sequences are added to create a pulsating and spacey feeling.seismic waves continues on the b side on a more relaxed vein, where the drones are the starring element, drums are more mental, and also the tempo is lower.pole shifting has another point of view, going deeper into the sound, with detroit style stabs, strings and percussion workout. a track that is for the mind as well as for the body.a complete release with a wide sound palette, showing one more time the studio skills of this veteran who is constantly reshaping himself, but keeping pureness in essence.

its a great honour for us to be able to present conrad schnitzlers last work. only a few days before he passed away last august, he created this unique, almost 70 minutes long work. 36 parts mixed into each other create a walk through his entire work. this record is not only for fans of conrad schnitzler. its like a trip through 40 years of electronic music. conrad schnitzler once more shows how strong his influence has marked young artists like emeralds and oneohtrix point never. wihtout his solo works and his projects kluster, tangerine dream and eruption electronic music wouldnt be the same. the tracks on the vinyl edition are in the order sides a,c,b,d. this allows you to make your own mix of this big work.

two american heroes team up to deliver the straight prison-funk, and they ve got the tattoos to prove it. somebody call the department of homeland security. its no secret that kris wadsworth and butane have both done hard time. in this case, a simple mutual respect lead to the decision that this record must be made. and so here it is. three tracks of uncompromising raw attitude. nothing premeditated here. just honest,warehouse-style jack-mode techno, done by two of the midwests finest. some djs over-sell themselves with contrived media stunts, fancy pr schemes, and little substance. youll find none of that here. we are just a couple of convicts who rip raw techno tracks. we speak through our music.

eduardo de la calle releases three new records, two on analog solutions, and one on sub label suprawax. musically, the tracks tie in with where he left of, featuring held back percussion, hypnotic and prolonged use of slowly modulated patterns. several tracks even do away completely with hi-hats. once in a while the almost trademark tweak of the delay tears the tracks open that are otherwise reduced to the essence of a deep groove. these records mark a new high point in de la calles musical output: they meld an awareness of techno history - and, let us be candid, sometimes samples out of it - with a tripped-out understanding for the passing time on the dance floor. the result is a form of distinctly contemporary dance music. all the same, de la call’s music eludes present day trends of going overtly retro and being contently at rest in nothing but epigonism. nor are they the maximised-to-death tracks spun of the present day techno functionalist goading crowds by the means of formalistic upbuilds over and over. his sound carves out a niche quite its own: its the ultimate modern day dj tool. all records have been pressed in a run of 320 copies and come in inside-out natural cardboard sleeves. no represses are planned at present.

eduardo de la calle releases three new records, two on analog solutions, and one on sub label suprawax. musically, the tracks tie in with where he left of, featuring held back percussion, hypnotic and prolonged use of slowly modulated patterns. several tracks even do away completely with hi-hats. once in a while the almost trademark tweak of the delay tears the tracks open that are otherwise reduced to the essence of a deep groove. these records mark a new high point in de la calles musical output: they meld an awareness of techno history - and, let us be candid, sometimes samples out of it - with a tripped-out understanding for the passing time on the dance floor. the result is a form of distinctly contemporary dance music. all the same, de la calles music eludes present day trends of going overtly retro and being contently at rest in nothing but epigonism. nor are they the maximised-to-death tracks spun of the present day techno functionalist goading crowds by the means of formalistic upbuilds over and over. his sound carves out a niche quite its own: its the ultimate modern day dj tool. all records have been pressed in a run of 320 copies and come in inside-out natural cardboard sleeves. no represses are planned at present.

huge legowelt remix! dont miss!